A Confirmed Bachelor: Writing Queer Characters

I make no secret that I publish what some would refer to as m/m romance. I don't actually consider that to be my genre, as the sexuality of my characters has always been secondary from the actual story. I happened to write about a detective, and he happened to be gay. He happened to have a love interest, but that was secondary to the murder mystery.

But, when one writes such books, inevitably one gets lumped to m/m romance, as the genre-makers don't seem to realize that gay characters do not a genre make.

That said, I have a lot of experience writing LGBTA characters, and everything book I write tends to have diversity of sexuality, race and culture because of this. Today though, we're going to focus on sexual diversity in steampunk fiction.


The estimable Gail Carriger gave us delightful creatures in The Parasol Protectorate like Lord Akeldama and Biffy...and Lyall, and lest we forget, Madame Lefoux. These characters were not ashamed of who they were, and no one really seemed to mind who they chose to be bedpartners or lifepartners with. After all, it would be rude to ask about such things.

As such, Charlotte's world went a similar fashion without any prompting really. You are introduced to Lord Niall Rathbone, whose students whisper about being a confirmed bachelor in teasing tones, and who later does take on a partner of the same sex. Except, that's just a piece of who he is. Niall is also commanding, intelligent, tricky and petulant. Charlie is actually a bit afraid of him when they first meet, though the two do become friends later.

Niall is a complicated man, a cousin to the queen, commander of a regiment and head of the Lochlan Officers Academy. Him being gay doesn't change any of that.
As of yet, there have been few other queer characters introduced, as much of the story has been internally focused, and teenagers can be rather self-involved. As I continue to work on the series and Rule of Steel, I am making a conscious effort to include more characters. There's a certain lady with a bit of a pining for our leading lady--though she doesn't know it yet.

It isn't difficult to introduce this sort of thing. You don't even have to be explicit. A casual reference to someone's partner, or former partner is more than enough to establish interests. There's no reason to stop there either. There are few enough asexual characters in fiction, and if you're writing during the sexual oppression of the Victorian era, it's not as though a man or woman with no interest in sex or romance or both would be looked upon with any more oddity than any other spinster/bachelor of the time. We can't forget about bisexual characters either, and a case could be made for Alexia (The Parasol Protectorate) being bisexual, though she is firmly married when she realizes this about herself.

I've written one transgender character in my career, and tried to do so with as much sincerity and care as I could. If you're going to write a transgender character, you have to treat them as you would any other. Make them genuine and don't back down.

I think there are authors out there that shy away from this kind of diversity because they are afraid they'll do something wrong. But really, you should try anyway. Let people from the community you are writing about do a read-through, listen to them when they tell you what they thought worked and what didn't work.

The bottom line is, diversity makes a story richer. Don't be afraid to let your characters be themselves.

Knowing When to Break

When one is writing historical fiction of any kind, there comes a point in our research and decision making where it becomes time to deviate from history. The inspiration for this post came from a conversation with my roommate, who is currently writing a 1920's steampunk piece and was getting rather bogged down in inconsequential details.

At more than one point I looked at her and said, "You do know you're writing alt. history, right?"

I am an advocate of accuracy, good research and backing up your decisions with facts. That being said, when it comes to areas I am familiar with, I tend to write from that experience. Sometimes though, history does not cooperate with us. Either someone isn't where they need to be, something hasn't been invented yet--or you can't find any information to back up something you heard from your third-cousin six years ago.

In the roommate's case, it was difficulty confirming asthma medications in the 20's. She wasn't having any luck with specific ingredient lists, and was instead getting bogged down in the minutiae of it. She needed to move on from it, she needed to break from history. Especially given how much she had already changed historical events.

When you change historical timelines in anyway while creating your work, it's a bit ridiculous to assume that nothing else would change within that. So yes, perhaps that particular shade of yellow dye wasn't used until 1875 in our time, but whose to say some lab assistant is Sussex didn't spill something and accidentally create said dye four years earlier in your timeline?

When small details get in the way of the story, it's time to let go a little. I've been known to leave words out completely when I'm uncertain. Usually I'll plug in something like this (Insert X Here) so I can search for this missing area later during re-writes.

Don't be afraid to make changes. Don't be afraid to choose new paths. History, in this case, is your playground. Have fun with it.